Architecture in the OTTMAN Empire

Historically the establishment of the Ottoman Empire from a small emirate in the era of Anatolia was next to the Seljuk emirates, led by the Roman Seljuks.
When the Seljuks and Byzantines were weak in the 13th century, the Turks encouraged the two countries and that was the birth on the Ottoman Great Empire between 1299-1918 AD

After that the Ottoman state headed after it included other countries towards the Arab world, and ruled the Mamluks in Syria, Egypt and Hijaz and took Algeria, Tunisia, Libya and then Baghdad.

in Europe the Ottoman Empire included Bulgaria, Hungary, Yugoslavia, Greece, part of Poland and Russia. Where Islam spread in parts of Bosnia, Herzegovina, Macedonia.
Thus the Ottoman Empire became the largest and most powerful empire in the world.

Architecturally ; Because of its containment of the most important cities and capitals of Arab cities  such as Cairo, Damascus , Jerusalem and Baghdad  it resulted in a large architectural diversity and prosperity , And this is shown in the construction of mosques and religious and cultural complexes that include the mosque, school, hospital, cultural gatherings and many more
The buildings built over the past 6 centuries by the Ottoman Empire (a period not enjoyed by any Muslim country) are a huge heritage, mostly in Anatolia and some Arab countries (most of Europe was destroyed)ot1

general look :

The mosques from the outside seem to be very large and high, high above the surface of the earth or above a market or shops that ascend to them in many stairs
the photo above shows domes and semi-domes are seen around the central dome of the (mother dome).

The heights in this cluster are characterized by consistency and harmony, interspersed with other forms and elements such as windows, arches and colonnades .
The minarets start abruptly through the block with fine texture, multiple balconies and a conical flour head

Architectural elements:

1- The domes:
The dome is the main element in the roofing , its a large central dome and semi-domes and small domes around or branch out of it , the shape of the dome is Spherical below the hemisphere slightly covered with marble sheets from the outside and cylindrical dome slightly tilted towards the cone with a large number of windows separated by prominent pillars.

 

ot22- Arches :

The main major arches were of the tapered type (drawn from two centers).

 


Use the Persian arch (drawn from 4 centers) and the upper arches are concave outward.ot7
Half-circle nodes and nodes (less than half a circle) are used in doors and above windows.
in Borsa (a city in Turkey) appeared in a contract consisting of a straight strip in the most expensive and two brackets on both sides (example: the Mosque of Yashil). as the photo below :

 

Columns:
Columns are made of marble or stone, and were used to carry the arches of the paths and secondary arches in the prayer hall.

Minarets:
During the Ottoman Empire Minaret in Arabic (Ma’athen)  are not as square or polygonal as in previous decades, its cylindrical ones as originally Seljuk , Higher and agility With many faces with Multiple balconies , Ends with a fine conical head, coated with lead.

ot5

Doors and windows:
Doors / gates leading to the mosque or the prayer hall are regular in proportion to the height of the facades and lower than the facade itself  , Increase in side (Mihrab) .
doors and windows was full of Inscriptions ,patterns ,ornaments and stalactites
golden written decorations and ornaments  (as in Seljuk) , special decoration were in the gates of HARAM

Windows / Mostly similar topped by a circular or tapered arch,stucco inscriptions with colored glass

Mosques in Arabic (Masjid):  mosques were -in the first phase – Before the conquest of Constantinople greatly influenced by the planning of the Roman Seljuks in Anatolia (small size, square hall with one dome topped by a gallery instead of the hall). Example Yildirim mosque in Borsa- Turkey

bo1

and yisil mosque

bo2.jpg

The second phase for mosques in the Ottoman Empire was after the conquest of Constantinople  In 1453 the Ottomans converted the church of St. Sophia (Hagia Sofia), which dates back to the fifth century AD to a mosque after minor modifications.
The most important features of Hagia Sophia The huge central dome in the center of the building which is  most important influence on the architecture of the Ottomans after the opening of Constantinople in addition to the semi-domes surrounding the central dome.
A giant diagonal dome of 31 m Diameter  and a height of 55.92 m, the largest dome until that time , The Ottomans wanted to compete in the domes of their mosques, accept the idea of domes because they fit the architecture of the Roman Seljuks, which is characterized by domes and suitable for covering the square shape

The third Phase was the era of architect Sinan (Mimar Sinan) and his students
this Architect was unique, distinctive, talented and highly skilled compared to people  at his time in the 16th century AD Sinan aged 4 Sultans and built 350 buildings.
Al-Khasrafiyah Mosque in Aleppo The first work of Sinan (which is modest compared to the projects later carried out in Istanbul)

one of the very special mosques to me is Suleymaniye Mosque in Istanbul i’ve seen nowhere such beauty i leave you with the photos :

sul3sul4sul1sul2

 

at the end i hope that you enjoyed this post feel free to leave comments and to follow my blog …

yours ………..Archdoodz 🙂

A Famous Architect from Jordan

 

jaafar

        A winner of Aga Khan award for Architecture ,Ja’afar Toukan a Palestinian Jordanian architect who was born in Jerusalem 1938, Toukan was a son of the Famous ؛Palestinian Poet (Ibrahim Toukan) and to He comes from a family full of writers, intellectuals, poets and artists from the city of Nablus – Palestine

He was the Chairman of the Board of Directors of the Union of Consultants for Engineering and Environment, based in Amman. He won several awards, most notably the Aga Khan Award for Islamic Architecture at its eighth session in 2001.about the winning toukan said : “I feel proud and happy in Aleppo, which I have not visited in more than 30 years,” ” This feeling coincides with my belief that my winning and the winning SOS Children’s Village project in Aqaba will be a prestigious international award. But represents a global honor for the architects and architecture space and the role of architects in Jordan.

the SOS village of children (the wining project )  photos from http://www.akdn.org ja10ja9ja2ja1ja3ja8ja5ja4

 

ja7

His Philosophy :

Jafar Toukan believes that architecture and Islamic heritage are not limited to the Arab style as the only way, and vice versa, so that there is no direct link between Arabic Architecture and Islamic architecture. In his view, architecture has a human character only. There is no difference between European architecture during the Renaissance or Asian architecture. Islamic architecture, all of which bore a purely human character.

he believes that construction and design are constantly changing, so that the translation of the emotional response with the specific geometrical situation to a physical state within the limits of logic is linked to the economic and social conditions of each new building. On this basis it is difficult to start a new work based on a previous architectural idea of another building , But must always start again to return to the point of zero and start from it in an abstract, necessitating the constant development of the efficiency and experience necessary for each work, because in practice will be similar in terms of challenge to the first engineering work in the caree

His Famous Projects And Buildings :

  • Jordanian University For Science And Technology ( With Kenzo Tange)
  • Dunes Club in Amman -Jordan
  • Al-Rajihi 5 stars Hotel in Saudi Arabia
  • Arbil Mass city in Arbil – Iraq
  • Dead Sea Panoramic Complex in Dead-Sea of Jordan
  • Yasser Arafat Memorial Museum in Ramalla -Palestine
  • Marriott dead-Sea resort in Jordan
  • Abu-Dhabi small an Medium Court Houses in UAE
  • and much more amazing projects and buildings .. after the death of Ja’afar Toukan his team continued the great work until now .

 

i wish you Enjoyed this …. leave comments of your suggestions about the next post

yours …………….Archdoodz

 

Zaha Hadid (the Queen of deconstruction)

zaha if you don’t know Zaha Hadid, she is an Iraqi-British architect who has  died suddenly aged 65, with a selection of projects that demonstrate her importance to contemporary architecture.

Hadid suffered a heart attack  following treatment for bronchitis at a Miami hospital. One of the most prominent and successful female architects in the world, she has won countless awards and accolades for her contribution to architecture.

MAXXI museum by Zaha Hadid
MAXXI museum, Rome, 2009

The Iraqi-born British architect was the first woman to be awarded the Pritzker Prize – architecture’s equivalent of the Nobel Prize – in 2004, and the  first woman to be win the RIBA’s Royal Gold Medal in her own right.

A graduate of London’s Architectural Association in 1977, she worked with former professors Rem Koolhaas and Elia Zenghelis at OMA, before establishing London-based  Zaha Hadid Architects in 1979, which she ran with Patrik Schumacher.

Evelyn Grace Academy by Zaha Hadid
Evelyn Grace Academy, London, 2010

Her use of unusual shapes became apparent in early competition proposals for The Peak terminus in Hong Kong (1983), the Kurfürstendamm in Berlin (1986), and the Cardiff Bay Opera House in Wales (1994).

But it was the 1993 Vitra fire station in Weil Am Rhein, Germany – her first major built project – that thrust Hadid into the spotlight. Although the building was deemed unsuitable by users, its angled concrete walls and sharply pointed portico gained attention from critics and launched her career.

Pierres Vives by Zaha Hadid
Pierresvives, Montpellier, 2012

Hadid’s work with concrete continued with projects such as Innsbruck’s Bergisel Ski Jump (2002) and Cincinnati’s Rosenthal Center for Contemporary Art (2003), which both demonstrated how she used the material to create irregular angular forms. In larger projects such as the BMW Central Building in Leipzig and Phaeno Science Centre in Wolfsburg, both completed in 2005, Hadid was able to further experiment with concrete’s sculptural capabilities – introducing dramatic curves to the angled structural elements, ceilings and window shapes.

As Hadid’s career advanced, projects continued to grow in size and budget, and her use of curves and sinuous shapes became even more ambitious.

Aquatics Centre by Zaha Hadid
Olympic Aquatics Centre, London, 2012

The  MAXXI museum in Rome, one of her most critically acclaimed projects, features black staircases and light fixtures that snake through the strips of structure. The building won Hadid the stirling Prize in 2010, and she accepted Britain’s most important architecture award again the following year for the Evelyn Grace Academy in London.

The Aquatics Centre for the London 2012 Olympics Games features a wave-like roof that soars over the swimming and diving facilities.

Hadid, along with Schumacher, was a champion of Parametricism, which relies on algorithms to dictate the shapes of digital models that become architectural forms. Their firm used this technique to design buildings including the 2014 Dongdaemum Design Plaza in Seoul.

Dongdaemun Design Plaza by Zaha Hadid
Dongdaemun Design Plaza, Seoul, 2014

The architect won the competition to design the Tokyo 2020 Olympics stadium , although her plans were controversially dropped by the Japanese government after protests from prominent local architects.

She has also designed a venue for the 2022 QATAR FIFA World Cup, which is currently under construction.

Heydar Aliyev Center by Zaha Hadid
Heydar Aliyev Center, Baku, 2014

Among Hadid’s most important recent works is the Heydar Aliyev Center in Baku, Azerbaijan. Doubts surround the ethics of the project, but the impact of the building’s sculptural skin rising from the ground into giant waves is unquestionable.

Other buildings completed in the past year include the Messner Mountain Museum buried into an Alpine peak, a new facility for studying Middle eastern culture at the University of Oxford, and a trio carved towers  designed to look like giant pebbles in Beijing.

Messner Mountain Museum by Zaha Hadid
Messner Mountain Museum, Corones, 2015

Zaha Hadid Architects has a vast number of projects in progress. Eagerly anticipated buildings such as the soon-to-complete parasitic a major new airport terminal in Beijing will cement Hadid’s legacy as one of the most tenacious, divisive and celebrated architects of her generation.  (according to dezeen.com)

all what we can say RIP Zaha we all love you and love your works …. and here i want to show you some of here incredible projects if you have any comments please feel free to write ….

your’s archdoodz

zaha10Zha, Jazzzaha8zaha 7zaha 5zaha 6zaha 2zaha 3zaha 4

NESTLE Chocolate Museum

Architect: Rojkind Arquitectos
Piuirincipal in Charge: Michel Rojkind
Project Team: Agustin Pereyra, Mauricio Garcia-Noriega, Moritz Melchert, Juan Carlos Vidals, Paulina Goycoolea, Daniel Dusoswa, Matthew Lohden
Client: NESTLÉ
Traqs: Luis Araiza, Jesús Gonzales, Agustin Villegas
Efficiency: Fermin Espinosa, Francisco Espinosa, Carlos Juárez, Ricardo Brito, Francisco Villeda, Ana Isabel Morales, Verónica Jaimes
Structural Engineer: Moncad [Jorge Cadena]
Lighting Design: Noriega Arquitectonics Iluminators [Ricardo Noriega], Fernando Gonzáles
Landscape Design: Ambiente Arquitectos y Asociados, [Fritz Sigg, Juan Guerra], Erick Flores
Construction Photographs: Guido Torres
Constructed Area: 634 sqm
Design Year: 2007
Construction Year: 2007
3D Massing: Juan Carlos Vidals
Photographs: ©Paúl Rivera

 

floor plan

the first phase took shape and required a 634 m² space that could accommodate the main entrance for the children to have the most pleasant experience and to start the voyage into the chocolate factory as soon as they enter this playful yet striking space, the reception area, the theater that would serve as preparation for the Nestle experience, the store or museum shop, and the passage to the tunnel inside the old existing factory.

21

 

Record time

An architectural experience. Sensorial architecture, from the surprises, the twists and folds. An architectural challenge. As much the forms and the spaces they contain, like the times are taken to the limit. Foldings and record time: 2.5 months to finish….and that included design and construction!

The complexities of architectural projects require a team effort and in this case we organized 3-8hr shifts in order to deliver the project in time.

3section bb

 

The concept: a playful folding shape that is evocative for kids, of an origami shaped bird, or maybe a spaceship, or could it be an “alebrije”? What might seem like a capricious form is the fruit of diligent design explorations and an intuition about what the place should express. The spectacular result is as firm as the faceted shapes which sustain it.456

7891011121314151617181920